Showing posts with label france. Show all posts
Showing posts with label france. Show all posts

Thursday, May 30, 2013

In Which I Am Bold


Today is the feast day of St. Joan of Arc. I have a special fondness for St. Joan. She was a great influence on me during my teenage years. I liked her. She was the sort of girl with whom one could easily be friends. She was devout, but passionate with it. She loved beautiful things, which gave here just a wee, charming touch of vanity. She was brought up simply, and was well-contented. If she had been left to her own devices, she would have remained in obscurity, a shepherd-girl, who loved her home and her family, and enjoyed her life amongst them. Yet, when God literally spoke to her, through His angels and saints, and revealed what His will was for her, she had the moral courage to walk away from everything she loved, and serve Him as He wanted to be served. She became her country's great hero, an almost legendary figure, but she remained herself to the end - Joan the Maid, who would have gone home to her mother, if she could. I wanted very much to be just like her. Indeed, my goal in life is still very much the same: to be contented in the life God has given me at the moment, but, if at some point, He gives me another way of life in which to serve Him better, to show the same sort of courage as St. Joan and follow Him.

I think I have mentioned before on this blog, that there were Scottish soldiers fighting in the army of Joan of Arc. One of the great number of books I intend to write, but have not gotten around to actually working on yet, is a work of historical fiction, from the viewpoint of one of those Scots, possibly a piper. (Yes, there were pipers too. Once the French had lifted the Siege of Orleans, St. Joan marched into the city, with a company of pipers.) Several years ago, however, I did write a short story as a sort of back-history to the book I intend to write. It takes place sometime after the Scots had suffered a defeat at a Rouvray, in a skirmish known as the Battle of the Herring. And after much debate within myself, and with a certain measure of trepidation, I have decided to post it here:

*********************

Hughie Stewart was drinking, though he no longer knew what, nor did he care, so long as it was strong. He had started with just a little of the rough, red wine common to that area of France, but that was weeks ago and no matter how much of it he took, it had not the strength to keep the faces of his dead comrades from coming to him in his sleep. Whatever it was he had now was a harsh, strong drink that burned his throat and belly. It was vile, and made him long for the pure uisce beatha of his own native Scotland, but it served his purpose. He drank until forgetfulness came, until the world around him blurred and spun, and sleep was deep and black and dreamless.


Occasionally during those weeks, he would come to himself, lying in some forgotten corner of a dirty inn, or in a back street, with a sickness upon him, and a head shattered by drink. Then he would look at himself with a clear, sardonic eye, and see himself plainly - and the sort of man he was rapidly becoming. At such times he would be bitterly ashamed of himself, and resolve to break from this life, but grief was more bitter still. In those moments of clarity, he would see again the faces of his clansmen lying broken by the English assault on the field of Rouvray: his older brother Dauid, who had promised their mother to keep an eye on Hugh; his cousins, Robert and Angus; Roger, his friend from boyhood, who had left a wife; brave John Stewart who had led them… He was but a very young man, and now he was alone in a foreign land, wounded in both body and spirit. He drank alone. There was an intensity in his silence that prevented all but the most gregarious from approaching him.

He could never remember just how the fight started. There were three or four Frenchmen, that much he knew. They had been loud and crowded him too closely. He remembered that they had spoken to him, and he had stirred himself to answer. He was far gone in his drink, and the world was very distant. He heard the laughter at his response, but did not know the cause of it. He only wished for them to go and leave him in peace, but they would not. They sat down beside him, pulling their chairs up close, their faces too near and terrible to his blurred vision. He tried to pull away from them, but one of them had an arm around his shoulder. They were speaking and his muddled mind was trying desperately to make sense of what they were saying. There was something about a maid, something else about a battle and herring, and the Scots, and there was mockery in the tone.

Then he was on his feet and in a rage. He remembered with a painful clarity the sound of his chair falling back with a clap upon the floor. The one who had just spoken was looking at him with a lazy, arrogant smile, and Hugh hit him full in the face with all his strength. The man went down without a sound, and his companions were on Hugh in an instant. Had he been less gone in drink, or had a single man to stand with him, he could have held them off, for he was a fierce and canny fighter. But he was ill and drunk and alone. The wound he had taken at Rouvray was barely healed and the arm he had taken it in sore and slow. The Frenchmen took him out into the street and beat him for their companion; beat him, though he fought to the last, until he was bruised and bloody and fell unconscious in the gutter.

He came to himself some little while later, slowly, and in great pain. His head hurt so that he could scarcely bear to lift it from the ground. His very eyes ached. The wound in his shoulder had reopened and he could not move the arm. He had a hundred aches and bruises. For a time he could do no more than lay still, but gradually the pain receded, and he was able to sit up, though his whole body protested, and his head hung down upon his chest. He felt sick, broken and utterly wretched. He thought of his clansmen on Rouvray, and buried his face in his hands.

When he at last felt well enough to stand, he returned again to the inn, but only long enough to retrieve his gear. The innkeeper was a kindly man, with a son nearly the age of Hugh. He returned the things, shaking his head slightly, and said, “You should not drink so much, mon ami.” Hugh looked down at the sheathed sword in his hand, then at the innkeeper’s worried frown. “I will not do so again,” he vowed, and went out.

Nor did he, but neither did he eat. He wandered to streets blindly, though now it was not the ghosts of Rouvray he fled, but those of himself, and the man he had become those last weeks. Sometimes he came to a church, and at such times he would go in, and kneel in the dark shadows at the very back. He could not pray, his mind and soul were too disquieted for that, but he knelt before the hidden God, and showed Him his sorrow, for a small space of time before that sorrow drove him to wandering again.

*********************

He did not see the line of men on horseback until they were almost upon him. The foremost rider nearly rode him down before he was able to draw his beast up short and halt his men. The man uttered an oath, and a surprisingly high, light voice called, “Baudicourt!” in rebuke. The man recollected himself, and apologized hastily, almost sheepishly. There was a laugh, and the light voice went on, “What is it you have found there, mon capitaine?”

Hugh had leapt backward at the last moment, when the noise of their riding had finally burst upon his ears. He had fallen, weak from hunger, and lay there, spent and aching from head to foot. He stared up at the riders, nearly blinded from the glare of torchlight. There was a stir amongst them and a babble of voices. A figure, somewhat smaller than the others, broke from the line and came riding forward. He saw the red light glancing off armour, the dark shadow of cape billowing in a stir of wind, then a small, pleasant face looked down at him, the eyes bright, though there were shadows beneath them. "En nom Dieu!" the light voice exclaimed.

He stared helplessly back, astonished even through his pain, that it was a young woman who was looking down at him. He remembered, distantly, the night at an inn, when he had hit a Frenchman, and been unable to fight off that man’s friends. They had spoken of something like this, had they not? A maid, he seemed to remember one of them saying, who was coming to raise the siege of Orleans. A maid who was come in answer to a prophecy, who gave prophecy herself, and those prophecies came true. He had not paid attention to those men then. He had been consumed with his own grief, and had begged them to be gone, but they would not. Now it seemed he was looking into the face of their maid as he lay in the street. He felt the blood come to his face, and got to his feet, slowly, like an old, old man, but he was a soldier and of noble blood, so when he stood at last, he looked it.

Baudicourt was frowning at Hugh. He had been inclined at first to dismiss the man in the street as a beggar, or a common drunk, but now he stood straight and tall before him, with an odd dignity that was disconcerting. “Speak sir,” he said, abruptly, but not discourteously, “What is your name?”

“Hugh Stewart, sir, of Scotland.”

Baudicourt’s men began to speak at once, for the valour of the Scottish soldiers was well know, and the defeat of them at Rouvray had been the bitter blow that led to the siege of Orleans. “Écossais, Écossais” they said, and repeated his name, for it was John Stewart who had led the Scots.

“Well then, Hugh Stewart, of Scotland, why do you wander about the street, obstructing my horses?”

Baudicourt still glowered down on him, but it was not to Baudicourt that Hugh made answer. It was to the maid at his side, who smiled sympathy at him.

“I have lost my comrades, and…” he paused, unable to explain to these fighting men, what he had not been able to explain even to himself, “I have lost my way…” he finished softly, looking away from the goodness he saw in the face of the maid. He stared at his feet.

He heard the murmur of voices again, then the maid had urged her horse forward, till she stood directly before Hugh, and he had no choice but to look up at her. She had a good face, though she was not beautiful. There was a great purity and holiness about her, that would have been daunting, but for the frank humour that he had often observed in the faces of fighting men. She was smiling, a sad little smile, and she touched his shoulder lightly.

“It is not so hard to find yourself, mon ami .” she said softly, “The good God is kind to soldiers. How long has it been since you have eaten?”

Hugh shook his head. He could not remember when he had last taken food or drink.

“Well, Hugh Stewart of Scotland,” the bit of laughter that was seldom far from her was back in her voice now, “You cannot find yourself if you become a fantôme!” She produced a coin from the wallet hung from her waist, and gave it to him, despite his protests, “ Monsieur Stewart,” she said very firmly, “You must eat! And then en nom Dieu find a priest, yes? It will do you much good”

Hugh hung his head again. Her goodness had unmanned him, and he could not speak for a moment. “If it please the maid,” he answered at last, “I shall try.”

She shook her dark, cropped head, “Non, non, monsieur, not to please me, but to please the good God.” She smiled at him again, “Do not forget: food first, Hugh Stewart! France has need of good soldiers.”

Then she gave signal to Baudicourt, and the men rode on. Hugh watched them go with out a word, the coin she had given him clutched tightly in his fist. The maid had turned once and waved to him, and he had raised his arm in return. It was the arm that had taken the wound, the one she had touched when she had spoken to him. The pain in it was gone, and the pain in his heart seemed less burdensome. He allowed himself to think of her face once more, and grinned, a slow, unaccustomed grin. If the maid really intended to raise the siege of Orleans, he had no doubt she would. What a doughty companion she must be.

He did not immediately eat as she had suggested. He found a church first and took his customary place at the back. He still could not pray, at least, not as he wished, but he looked long and fervently at the tabernacle where his Lord lay hidden. He did not know how long he knelt there, for he forgot himself during that space of time. Then he came to himself, and looked at the little coin still clenched in his fist.

He took meat at the next inn he came to; meat only, and a bit of bread. Then he took to wandering again, and it was many days before could bear to look for a priest. It requires courage to speak of sins one wants to leave hidden, even into the ear of a good God. But at last the priest came to him, as he knelt in the shadows of a wayside church – an old priest, wise in God. Hugh allowed the priest to lead him out into the sun, and when the old man asked what it was that troubled him, Hugh told him, hesitating a good deal over the story. He wanted to be honest, but was shamed by the telling. The priest listened, saying no word until it was over, and then, there was no rebuke. He simply said, “ah, poor man,” and comforted him as a father. The next day, Hugh returned to him, and was properly shriven. Then he knelt for a long time before the altar, praying not in words, but from his heart, showing the good God the sorrows he still bore, and thankful for the comfort He had been given.

*********************

The army of the Maid of France lay camped before the River Loire, near the besieged town of Orleans. Hugh made his way there, neatly uniformed and girt with his sword. The guards stopped him at the edge of the camp, but he surrendered his sword to them with his name, and asked to see the Maid, or, failing that, Baudicourt. A soldier was sent with the message and returned a short time later with a grin on his face. He spoke to the guards first, before delivering his message.

“She’s arguing battle strategy with le capitaine. By my staff! There is a woman can argue for you! You think, mon ami, that you have won the argument, and then she says, ‘in the name of God, it shall be done this way!” and all at once you see that it must be so.”

The soldier nodded at Hugh, returning the sword to him. “She says she’ll see you, if you be the same Hugh Stewart of Scotland she remembers.” He laughed at the startled expression on Hugh’s face, and led the way across the camp to tent, where the maid sat before a table strewn with maps. Baudicourt was beside her, looking irritated and amused, as he often did in the company of Jehanne of Domremey.

The Maid saw Hugh as he entered. She rose, and a bar of sunlight from the open tent-flap fell upon her white armour, and threw a halo of light about her face. She held her hands out to Hugh, and he went to her and knelt before her, his hands upon the hilt of his sword, his head bowed.

“As it please God, Hugh Stewart of Scotland pledges his sword to the cause of France and the Maid.”

She smiled the frank, boyish smile of hers, and she touched him lightly.

“Then, en nom Dieu, I am glad to have you.”

Thursday, April 18, 2013

The World I Have Known Is Lost In Shadow...


So, I finally saw Les Miserables a couple days ago. I shall be honest and admit right off that I have never been crazy about that musical, so I was not particularly interested in the film, despite a stellar cast, and the truly exciting trailers I saw for it. My reaction to the movie was much as I expected it to be. I admired it exceedingly. It was well shot and well cast. The music was fantastic, the sets lovingly detailed, evocative, and often beautiful. It more than earns the praise that has been heaped on it, and I am glad that I saw it.

That being the case, however, I cannot say that I really liked it. Now, before you pick up stones to cast at me, I will freely own that this is a fault that lies in myself, rather than in the movie. It just doesn’t work for me. I cannot connect with it. I don't really care about most of the characters. I pity Fantine. I have sympathy for Eponine. I understand the students and their desire to fight for the poor, angry men. But I really do not care what happens to any of them... with two great exceptions.

The first is obviously Jean Valjean. I have a particular fondness for conversion stories. I think conversions are the truest form of character development, because no matter how good a person is, there always comes a time in which on must confront oneself – the sins and the weaknesses – and the response then will determine what sort of a person will emerge from that confrontation. Jean Valjean is introduced as a defiant, but broken man. He is bitter and makes it very clear that he considers his incarceration unjust, for though he stole a loaf of bread, it was in desperation, and for someone in more need than himself. It is clear that he does not consider himself a thief. He clings to his name, which is all he has of his old life. He is Jean Valjean, not No. 24601. Yet, when he has been granted parole, he falls into the very crime he has served time for, and this time, he steals for himself. An unexpected show of mercy saves him, and he is forced to face himself; alone and falling. He flees from that particular version of Jean Valjean, leaving behind the name he had fought to keep, and is able to re-create his life again, in time, putting the past behind him, and becoming an honourable and respected man. Les Miserables tells his story truly – for very few men are ever allowed to face themselves only once. Jean Valjean must repeatedly come to terms with his past, his sins, and himself, and each time, the life he has created for himself is at stake. But he has bargained with God, and given Him his soul, and the decisions he makes are based on his understanding of what God wants of the soul in His keeping. By the end of the story, he is not merely good and honourable. He is a Man of God, who has made peace with himself – both as Jean Valjean, and as No. 24601 – and with a world that has been unkind to him. His story is a very beautiful, very Christian story, and, in my opinion, is the reason to watch Les Miserables.

The second is... Javert. I went into the movie expecting to like him. I always liked him in the musical, and he was being played by Russell Crowe, who happens to be one of my favourite actors. What I was not expecting, was for Javert to become my runaway favourite character. I was not expecting to love him, to care desperately about what became of him. I was not expecting for the death scene, which I knew full well to be coming, to shatter me as it did, nor that I would end up crying over him almost as hard as I cried over Boromir the first time I saw The Lord of the Rings.

It is very easy to make Javert the villain of the piece, as he is at odds with every single protagonist in the story. He is Jean Valjean’s nemesis. He is another nail in the coffin of poor Fontaine, who is dying of grief and despair. To the students, he is an example of What is Wrong with France, and he is the enemy of the poor, angry men, for whom they are sworn to fight. Even amongst those who do not consider him a bad man, he is generally seen as heartless; an absolutist, blindly obedient to his duty, and to the letter of the law, with no compassion or understanding of the plight of his fellow man. He is too stern and too unyielding – too hard a man to properly be considered a good man... But while all of this is true, I do not think it tells the whole truth about his character, and Truth has this odd attribute about it: that unless the whole truth is known, Truth itself can be misleading.

Unlike Jean Valjean, whom we see rise, and fall and rise again, Javert is seldom allowed to reveal anything of himself, save for the lawman's face. It is worth pointing out, that even at his hardest, Javert is scrupulously just. He will execute the law to its full extent, but not one step further than that. He is exacting, but he is neither malicious nor cruel. When Jean Valjean protests his nineteen years as a slave of the law, Javert corrects him: “Five years because of what you did, the rest, because you tried to run.” Not so much to rub it in, but to be very clear. The sentence was five years only, and he would have been free at that time, had he accepted those terms. It is also well to remember that Javert is as hard on himself as he is on other people, and when he believes himself to be in the wrong, he voluntarily submits himself to the law, without a single word of defense. Both points speak in his favour. But though he seldom lets down his guard enough for us to see beyond Javert the Man of the Law, there are little glimpses throughout the film that show him to be more than that. He is a man who delights in the view from high places, who loves beauty and order, who prays to God in the calm and beauty of the night, and who sings to the stars. He is a man who is so moved at the sight of the small, dead body of youngest of the revolutionaries that he pins his own medal to the boy’s chest; a man who could take a beating, and face violent death without fear. For all his faults - and they are many - there is a beautiful soul hiding deep within Javert. So how could a man like that be so hard that the only thing that could break him is mercy?

During the sword-fight with Jean Valjean in the Confrontation scene, Javert lets slip a single, extremely telling fact about himself: that he born in jail, and that he is from the gutter too. He knows the gutter folk, perhaps better than they know themselves, and perhaps that is part of the problem. The sight of suffering is hard to bear, especially if it recalls one’s own sufferings and compassion can be a very painful virtue. Impatience is easier, because it distances the suffering, and contempt is easier still. Somehow, like Jean Valjean, Javert has managed to bring himself up from the gutter, to become a good and respectable man. Yet, who knows what it cost him to do so. One cannot make so complete a break as that, without there being a price to it. One of the unchangeable truths about life, is that at some point, each and every person will endure the experience of watching his world fall to pieces around him - in a big way, or a small, it doesn’t matter. The result is always that same: one looks around at a world in chaos (or so it seems) and tries to bring back order and control. And that is Javert – the man who is striving with obsessive single-mindedness, to restore order to a mad, chaotic world that continually falls to pieces around his head. Perhaps the trouble with him is not that he is too hard, but that he cannot be hard enough; that he is afraid of that softness in himself, and cannot see it as strength. Perhaps it was not Mercy, pure and simple, that was too much for him to bear, but the strength that lay behind it – a strength which made him feel less strong. Perhaps it was Love when he expected hatred, and when he was hating himself. It can be extraordinarily difficult to accept love when one knows oneself to be unloveable. Whatever it was, when Javert finally fell in flame, too far to rise again on his own, I wanted, more than anything else in the world, to be able to put my hand out to him and save him – and at that moment, I did not care at all what it would cost me.

Wednesday, June 6, 2012

D-Day


Today is the anniversary of the largest amphibious assault in history - to whit, the D-Day invasions of Normandy during WWII. Here are some facts about the assault you might not have know:

 - Although months of rigorous planning proceeded the invasion, the actual date of June 6th was selected at the last minute.Logistically, the action needed to take place at the beginning of June, the 5th being the preferred date. However, there were a number of variables that had to be taken into account during the planning. The bombers required a full moon, and a (cloud) ceiling of at least 5000 feet. The sea could not be too rough, otherwise the heavy transport boats would not be able to make the crossing. If the winds exceeded 20 mph, the paratroopers would be unable to land safely. June came in with one of the worst summer storms in twenty years. The decision to attack on June 6th was due to the weather report given by James Martin Scagg, predicting a 24 hour period or relatively decent weather in the midst of the storm.  You can read about it here and here.

 - The Scottish Highlands were used for a lot of training during WWII, including practice for the Normandy invasion. The British Commandos took intensive training courses there.

 - The actor, Richard Todd took part in the invasion. Nearly twenty years later, he appeared in the movie, The Longest Day in the role of Major John Howard, who was his commanding officer. Another actor, in a bit role, plays Richard Todd himself.

 - Tiny submarines, manned by Commandos, were sent to Normandy in advance of the invasion to conduct reconnaissance, and to lead the landing craft safely to the beach. They hid within range of the German guns for five days before the assault took place.

 - Bagpipes were used in the attack. Piper Bill Millin, under orders from his commanding officer, Simon Fraser, Lord Lovat, piped his men off the boats and up to the beach, while enduring heavy fire from the Germans. You can read his account of the attack here.



Billy Millin

Sunday, May 30, 2010

Joyce Kilmer


Memorial Day

"Dulce et decorum est"

The bugle echoes shrill and sweet,
But not of war it sings to-day.
The road is rhythmic with the feet
Of men-at-arms who come to pray.
The roses blossom white and red
On tombs where weary soldiers lie;
Flags wave above the honored dead
And martial music cleaves the sky.
Above their wreath-strewn graves we kneel,
They kept the faith and fought the fight.
Through flying lead and crimson steel
They plunged for Freedom and the Right.

May we, their grateful children, learn
Their strength, who lie beneath the sod,
Who went through fire and death to earn
At last the accolade of God.
In shining rank on rank arrayed
They march, the legions of the Lord;
He is their Captain unafraid,
The Prince of Peace . . . Who brought a sword.


At the time of his death in France during WWI, Joyce Kilmer was one of America's up and coming young talents. He wasn't exactly a household name, but his poems were well known, and well loved. Since then, his reputation has been largely overshadowed by the rest of the war poets, and he is largely - and I think, unjustly - neglected in modern collection of poetry, especially war poetry. If he is remembered at all, it is generally for his poem, Trees, which is rather unfortunate.


"Trees" is a very nice little poem. It has some lovely rhyming sequences, evocative imagery, and the typical Kilmer twist at the end, that praises God in creation, and expresses the poet's own humility. For all that, is not a very remarkable work, nor it is particularly expressive of the type of man Joyce Kilmer was. He was not a sentimentalist, except in the modern misunderstanding of the word, which confuses sentiment with idealism. He was a true poet, with a healthy touch of genuine Romanticism. He saw beauty everywhere he looked, and mystery and adventure. He expected life to be a challenge, and he met difficulties head-on, and with characteristic gusto. If his poems, particularly is earliest ones, are full of a child-like wonder and simplicity, it is not because he had not face life in all its grim reality, but because he could see beyond that reality in to the realm of Absolutes and Eternity.


Joyce Kilmer was one of those rare individuals who are truly good, but make goodness seem, not only intensely attractive, but also as the only way for a man of any worth to be. He lived enthusiastically. He loved words. He was employed to work on the Funk and Wagnalls dictionary, where his job "was to define ordinary words assigned to him at five cents for each word defined. This was a job at which one would ordinarily earn ten to twelve dollars a week, but Kilmer attacked the task with such vigor and speed that it was soon thought wisest to put him on a regular salary" He loved food, and used to claim that eating a hearty meal was compensation for lack of sleep. He seems to have been utterly imperturbable. Once, when he was in a hurry, he was knocked down by a train, and dragged for a little distance. He survived with only a few cracked ribs to show for it, and seemed to regard the whole thing as a rather comic experience, that would teach him to be more careful in the future. He was much in demand as a public speaker, but seldom prepared notes for his speeches. Sometimes, he would only decide on the topic of his speech over lunch, half an hour before he was scheduled to appear. For all that, he was a remarkably good public speaker, and enjoyed it thoroughly.


Perhaps the single greatest moment in his life was when he and his wife, Aline, were received into the Catholic Church. Their daughter, Rose, had been stricken with infantile paralysis shortly after her birth, and in their distress, they turned to God. In a letter to his good friend, Fr. James Daly, he wrote, "I believed in the Catholic position, the Catholic view of ethics and aesthetics, for a long time. But I wanted something not intellectual, some conviction not mental - in fact I wanted Faith.... When faith did come, it came, I think, by way of my little paralyzed daughter. Her lifeless hands led me; I think her tiny feet know beautiful paths." From that time on, Kilmer lived the Faith to the fullest. He took the Catholicism as naturally as breathing. He developed great devotion to the saints: St. Nicholas, on whose feast day he was born, the Irish saints, Patrick and Bridgit, no doubt because of his affinity will all things Irish, the warrior saint, Michael, and Joan of Arc, because his spiritual out look was very much that of a soldier. His over-riding desire was to live in such a way as to be worthy of that gift of Faith, that he had prayed so hard for, and to give glory to God in the best way he knew: by his writing.


He was a prolific writer, regularly turning out criticism, plays, essays, and short stories. His wartime story Holy Ireland is one of the finest things he ever wrote. But it is for his poems that he is best remembered. His early poems were very pleasant reading, it not particularly earth shattering. They all show, however, Kilmer's distinctive ability to find inspiration in almost everything, from a commuter train to an abandoned house. His best poems were written after his conversion, and the best of all were the ones he wrote as a soldier in France


He volunteered for service as soon as the United States declared war. He liked to boast that he was "half Irish" so it was the predominantly Irish "Fighting 69th" that he joined. He rose to the rank of Sargent, and could have got a commission, but refused to, because he would rather have been a Sargent of the 69th than an officer in any other regiment. He wrote to Aline that he intended to write a book about the experience, which he decided to call, "Here and There With the Fighting Sixty-Ninth". He had great ambitions for the book, declaring that it would be "a most charming book... the sort of book I'd greatly like to read.... no glib tale, no newspaper man's work - but with God's help, a work of art." He never did get to write that book, but he wrote several extremely fine poems, for which he ought to have been remembered: The Rouge Bouquet, The Peacemaker, and The Prayer of a Soldier in France. They are the work of an accomplished poet, as well as a deeply spiritually patriot.


Joyce Kilmer was killed in action on July 30, 1918, by a sniper's bullet, while on a reconnaissance mission in No Man's Land. He is buried in France, and was posthumously awarded the Croix de Guerre by the French Republic.


Peace to each manly soul that sleepeth;
Rest to each faithful eye that weepeth..


.~Thomas Moore


Requiem æternam dona eis, DomineRequiem æternam dona eis, Domine


Happy Memorial Day to all of you.