Wednesday, October 31, 2018

A Story for Halloween

I Shall Not Be Afraid of the Terror that Walketh About in the Night


She knew what they would discuss that night at the meeting. Her husband, dead, after so short a marriage, their child, stillborn a month before its time. She thought of the tiny, perfect body she had delivered, so like John in feature. The child haunted her dreams.

There was gossip of course. There was always gossip. Noverton was built in the wilderness, and the forest pressed close against it. During the bright summer months, this gave the village a sense of protection, but once the glory of autumn was spent, the trees turned to skeletons of themselves, they began to feel trapped by the long, bare branches, the dark shadows, and the impenetrable depth of the forest. The terrors of the Old World could be banished to a small wood, easily traversed. Here they crawled out of the dark, cried from a wilderness no man could plumb, tapped like fingers upon doors and windows.  Night fell early, and the minister thundered atonement. The villagers barred their doors, lit fires to banish fear, as well as chill.

And they talked. And talked.

She pulled on the cloak, newly dyed, to befit her widowhood. Black had never suited her, and now that grief had left its mark, it made her look eldritch. The cupped light caught at the harsh planes of her face. The window gave back the reflection of a hollow-eyed creature. She did not blame her neighbours for their whispering.
"The handsomest man in the settlement, to marry a thing like that, and willingly?"

"It was witchcraft, surely. That's how she got him. He'd not have looked at her, else."

"And the child the price of it, like as not."

She took the turnip lantern into her hands, and straightened herself with a shiver.  She knew what they would discuss tonight, and she only prayed God she'd have the strength to bear it, to live up to John’s pride in her.

John....

She did not blame them for gossiping. She did not know why he had loved her any better than they did. But he had. She went out, brokenhearted.

A cold wind chased faded leaves across the stone path.  Daylight was already failing, the dimness made dimmer still by the fog.  Their home-- the home she had helped John to build—lay hard upon the forest. She paused, halfway between her house and the gate. The trees seemed terribly close, the fog walling her off from the world of living things.

A dry rattling sounded from the bare branches. An ancient raven stared down at her. Ravens perched in the trees to either side of him. She glanced around. There were, indeed, ravens in every tree. Save for the sound that had drawn her attention, they were silent. And watchful.

The wind had died utterly, and there was no sound, no movement of air. What were ravens, after all? Or fog or dark? She had more to fear from her neighbours than these lesser creatures of God. She walked on, ringed by fog, and ravens flitting from tree to tree, so that she was never free of their circling.

And then he was walking towards her, a man in black. He wore John's face and form. He walked with the jaunty step that set John apart, in a way that even the comeliness of his face did not. He spoke her name, and her heart leapt to hear John's voice. But the feeling coming from him was not the feeling that came from John. She crossed herself as if she were as papist as the Irish, though she knew such a thing would scandalise her neighbours. He stopped and they looked at each other.

"They have not been kind to you."

"No." she answered John's voice.

"And they will name you a witch tonight, in spite of your sorrow."

She fully expected that, and met his eyes without flinching.

"Come."

He held out a hand, and light danced from it. She saw John in his shirt sleeves, smiling down at her, their child bouncing upon her hip, smelled sawdust, the smoke of cooking, felt the warmth of her child, the taste of his mouth on hers.

"No."

The light was gone. The twilight world of fog was all that remained, with black ravens circling restlessly, black, bare trees, and this man who was not John.

He touched her mind, and she saw all that he offered--riches beyond count, honour, ease and pleasures such as no man of earth could ever supply. She was stunned by hunger for so many precious things.

"No."

"They will burn you."

"They may. Or they may not. It will be as God wills. But I would die alone, the woman John loves, rather than go with his counterfeit."

Fire leapt into his face then, and he moved towards her. The great, ancient raven gave a cry and the flock flew up with a noise like thunder. Not-John shredded like smoke, before the storm of their wings. She threw the cloak up over her face, while the world flew to pieces around her.

Then all was still and she looked out on world, emptied of its terrors, with stars were just kindling in the evening sky. She went on her way, the ravens wheeling still around her, and she was comforted.

 They did not, after all, bring a charge of witchcraft against her. There were some, afterwards, who swore to an angel beside her, with a sword of fire in his hand. Others said it was not an angel, but John, with the light of blessedness upon his face. None had the courage to speak, nor to accuse.

The meeting ran short, and when it had ended, they scattered to their homes, ashamed, as men who have been judged, and found wanting.

Wednesday, August 29, 2018

The In Between Time

It is still summer-- at least, by calendar reckoning. August has not quite yet run her course, and Autumn does not officially come until September has nearly gone as well. It is summer by the calendar for nearly another month.

It is still summer according to the thermometer. The mercury marks day time temperatures that still run a bit too warm for my blood. We look to be in for more of the same for some weeks yet.

But neither calendar nor thermometer account for the sweet, slight-edged winds that give lie to the still-lingering heat; nor to the bright, deep-night chill that sets the stars blazing, and makes sleep come easily; nor again, that the northern tracking of the sun has dulled the fierceness of its insistent light. They do not mark the silence of the Marsh, now that the Redwings are gone, and only the Brewer's blackbirds remain, starting up in sudden, dense clouds, to wheel the open places, and dodge like stunt pilots through the rocking pines. We are on the cusp of migration season. Harriers are in the fields now, flying low and bright over willows and meadow grass. Nighthawks have visited us, with their swallow-quick, silent flight-- incongruous in so raptor-like a form. The geese are suddenly active, their voices no longer merely honking complaints. There is an ineffably wistful wildness to their calls, as they muster and V-mark the sky with their wing-loud squadrons. There is a half-hidden yellow in the heart of the aspens, in the neighbourhood rowans, in the willows and alder trees. There is a smell like baking bread, coming up off the meadows, a smell like wine in the wild rose thickets. 

The days are still hot enough, no denying that. It is still beach weather, for those that like that sort of thing. Still the season of picnics and barbecues. It is advisable to keep the fan at the ready, and to leave windows opened wide to the welcome night air. The pines have not started dropping their needles, in that bright, copper rain of true Autumn. There are no whirligigging pine nuts, no sudden storm of aspen leaves in the vagrant wind. It is still summer.

But the gripping heat has gone. The sun no longer shines with near-blinding intensity. The sky has lost its fired-enamel brilliance, and taken to it an all together gentler luminosity. The air is stirring, and wild, sweet smells keep slipping out of hidden places. We are at the in-between time, and I stand on the edge of it, newly in love with the beauty of the world, with the first, mad stirrings of wanderlust, beating against my heart. 

Sunday, April 1, 2018

Surrexit Christus Spes Mea!

A very blessed and holy Easter to you all! 

I am posting rather a long video today- the Exultet from Easter Vigil. I came across this particular recording of it last night, and fell in love with it. It is not merely that the priest has a grand voice for chanting, but because he looks so utterly joyous in it. There is almost a wide-eyed wonder to him, as he sings, that I find utterly contagious:



I came across this article recently, regarding the poem Easter Wings by Renaissance poet, George Herbert.  It is a beautiful poem of itself, made even more so by being printed like this:

Image result for Easter wings george herbert
Image from WikiCommons.

Easter Wings
BY GEORGE HERBERT
Lord, who createdst man in wealth and store, 
      Though foolishly he lost the same, 
            Decaying more and more, 
                  Till he became 
                        Most poore: 
                        With thee 
                  O let me rise 
            As larks, harmoniously, 
      And sing this day thy victories: 
Then shall the fall further the flight in me. 

My tender age in sorrow did beginne 
      And still with sicknesses and shame. 
            Thou didst so punish sinne, 
                  That I became 
                        Most thinne. 
                        With thee 
                  Let me combine, 
            And feel thy victorie: 
         For, if I imp my wing on thine, 
Affliction shall advance the flight in me. 



And lastly, I crave your indulgence to allow for the posting of a small work, from a poet of considerably less stature (of indeed, no stature at all). In short, a little thing I wrote yesterday:


MILES CHRISTUS


My Christ, in knightly Chivalry, 
In kingliness and charity,
Marks not my iniquity.
My guilt and grief, my hidden fear,
He knows, and knowing, only sees,
My brokeness and frailty,
Nor all the wounds He took from me.
The Greatheart Knight, the Paladin,
The Hero Christ, in errantry,
Rides to rescue and redeem,
My self, from selfmade slavery.
The Healer's hands are red with scars.
My Christ, with healsome sovreignty,
Binds up my wounds with comfrey,
With myrrh and with sanguinary*.
Sets all my emnity at naught,
But for erstwhile fidelity
My fickleness and peccancy,
Forgives-- and for His trust in me,
Pledged my sword and follow Him. 

And with that, I go to Mass!

*These herbs were used medicinally in the Middle Ages. Myrrh was an antiseptic. Sanguinary is another name for Yarrow, which has long been associated with the healing of wounds-- particularly of battle wounds. 

Wednesday, March 21, 2018

World Poetry Day

Today is the feast day of St. Benedict-- the holy hermit, who became the founder of Western Monasticism, the man who saved civilisation by running away from it. I ought, in very truth, to be doing a post on himself, especially as I am intrinsically in sympathy with such an approach towards a decadent era. However, I have put it off too long, and cannot write a post worthy of such a saint at this late date. Instead, I draw your attention to the fact that it is World Poetry Day.

Generally speaking, a holiday established by UNESCO would not normally top my list of things to celebrate, however, if you indulge me in a quote from their website, as to why they promote such a thing:

"The observance of World Poetry Day is also meant to encourage a return to the oral tradition of poetry recitals, to promote the teaching of poetry, to restore a dialogue between poetry and the other arts such as theatre, dance, music and painting, and to support small publishers and create an attractive image of poetry in the media, so that the art of poetry will no longer be considered an outdated form of art, but one which enables society as a whole to regain and assert its identity."

That is all very much to the good, and I cannot help but applaud and advocate such an approach to poetry, and publishing. And so, purely in the interest of treating poetry as a not outdated art form, I present the most recent of my efforts:

No storms won through the Door of Storms.
Long we had languished for want of snow,
For want of rain, for touch of wet:
The wetless winter had run too warm.
Too warm the all too golden the sun
On foothills, withered, blanched of green,
And snowless mountains, dried to stone,
while whiteless winter days ran on.

And we whispered, in dread, of drought.
Thirsted for winter, for bright of frost,
For fall of dew, and blessed wet,
While fronts of weather faded out.
We prayed, though foolish hope ran low
Until, in pity for our thirst,
And snowless mountains and withered hills,
God moved His hand, and sent us snow. 

I am strongly of the opinion that poems should stand on their own two feet, nor require explanation. However, given that the majority of the country-- and, indeed, a good deal of the Western Hemisphere-- has suffered a long and bitter winter season, this praise of late snow might seem odd. However, here on the West Coast, and most particularly in California, there was mostly no winter to speak of. The weather was appallingly warm. Storm after storm hit the ridge off the coast, and shot north or south, leaving us high and dry. We had suffered through five years of severe drought, thankfully ended by a good, wet winter last year, so the extended perioud of warm, dry weather reawakened the fear of its return.

And then, March came. And so, at long last, did rain and snow. We have had several large storms, and a surprising amount of snow for so late in the year. It might not quite be a miracle March, but it is close enough that people are trotting the phrase out. I flatly refuse to call the poem Miracle March, but I was hoping to get a sense of reprieve that.


Saturday, January 6, 2018

Epiphany

Happy Feast Day, all of you!

In honour of this feast-- the day in which Christ manifested himself to the Gentiles; the day in which wise men from the East, after a journey of faith, adored their hither to unknown God in the form of an Infant; the day, in short, upon which we are all called to trust in God's manifestations in our own lives, to seek Him with love and trust-- in honour of this day, I post for following carol. As is usual for the sort of posts I've been doing, this is an older carol-- sung in Middle English:


I am recommending you go to this website for the lyrics, not because I am too lazy to post them myself, but because it is an interesting post, which is definitely worth looking at.

I also want to draw your attention to the old tradition of the Chalking of the Doors. It is a tradition we've never done in my family, but I've always found quite fascinating, and this is the first year that I have chalked my own doors (even though I am neither a priest nor the father of the house). 

Friday, January 5, 2018

12th Night

Today is technically the last of the twelve days of Christmas. Epiphany is a feast in its own right, and the season of Epiphany will last until Septuagesima. In honour of the it being the last day of Christmas, you are getting this very hearty rendition of The Seven Joys of Mary, sung by Great Big Sea. It is a song I love very much... though these are not the traditional seven joys of Catholic devotion-- and I honestly have no idea how the sixth joy in the song snuck it.... that is one of the sorrows of our lady. But it is a great song, nonetheless. So without further eloquence:


Today is also the feast day of St. Edward the Confessor, the last of the Anglo Saxon kings of England. He is possibly one of the inspirations for the character of Aragorn in The Lord of the Rings - not so much because he was an exiled king, who returned to claim his throne (there are plenty of other kings who did the same) but because he was the first English king to be credited with having a healing touch-- the hands of the king are the hands of the healer. Here is an interesting article* about that medieval concept, with quotes from Shakespeare and Tolkien, so how can you go wrong?

And it being the last day of Christmas, properly speaking, and it being the feast day of an early medieval saint, you are getting one more song posted-- mostly as an excuse for me to share a bit of trivia: during this period of history, Church music was shifting from plainchant to something called organum. It was not yet the somewhat more sophisticated music form known as polyphony, and there was a strong element of improvisation that went with it-- which I find really delightful. The wikipeda entry has citation flags on it, however after poking around a bit, I think it is a fairly decent rough-and-ready explanation. And since this style seems to have been around during the days of Good King Edward, I am posting an example of it here (because we all know how much I like my chant!):



 *Once you get past the Monarchist plug at the beginning. I have sympathies for the Monarchist position-- and, indeed, I think my temperament is the sort that is naturally drawn to it-- but the few Monarchists I have met usually take themselves far too seriously, and unlike Brother Andre here, tend to treat all other forms of government as intrinsically disordered. And anyone who disagrees with them as suspect.

Thursday, January 4, 2018

The 11th Day of Christmas

Is the feast day of St. Elizabeth Ann Seton, if you live in the United States. It is a fairly modern feast day, but the rest of the saints were either people I had never heard of-- St. Defrosa, or St. Hermes-- or saints with funny names -- St. Ferreolus of Uzes, and Bl. Thomas Plumtree-- and none of them have any particular Christmas tradition associated with them. So, if we go with St. Elizabethe, this gives me a chance to showcase an American carol for a change. I Wonder as I Wander is an old Appalachian carol - or rather, a modern carol based on a much older fragment of a carol




You are also going to get Tennessee Earnie Ford... mostly because it is hilarious, and wasn't supposed to be: